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The landing has been commemorated in song on several occasions. Two of the best-known songs contain historical contradictions that confuse the landings at Suvla and Anzac. A song "Suvla Bay," which is believed to have been written during World War I but first copyrighted and published in 1944, has been recorded by many artists. It tells the story of an Australian girl who receives the news that her sweetheart or husband has been killed at Suvla. However, in a recurring line the song implies that he was killed in April, four months before the Suvla landing. He might have been killed at some point after the April landing at Anzac, but not at Suvla; there was no one there who had "played their part" in April. Suvla Bay is ostensibly the setting for the song And the Band Played Waltzing Matilda, written by Eric Bogle in 1971, although Bogle admits to having changed the location from Anzac Cove to Suvla, for several reasons, one of them being that he found many Australians mistakenly believed that the ANZAC landing had taken place at Suvla. The song has been recorded by numerous artists, including the Clancy Brothers, Joan Baez and the Pogues. In the climax of the Peter Weir movie Gallipoli, the third and final wave of Australian troops at the Battle of the Nek is ordered into a suicidal advance, supposedly to divert Ottoman and German attention from the landing at Suvla, despite rumours that the landing has been successfully completed. The fictional character General Gardiner orders the advance reconsidered, with the line "at Suvla ... the [English] officers are sitting on the beach drinking cups of tea". In fact, the Australian attack at the Nek was a diversion for the New Zealanders' attack on Sari Bair, not the British landing at Suvla. The Dreadnoughts' album track "The Bay of Suvla" commemorates the battle, although where the men described in the song originate from is not absolutely clear. Suvla is briefly mentioned in the Irish song "The Foggy Dew", which commemorates the 1916 Easter Rising, and in the song "The Last of the Diggers", by the Australian rock band Midnight Oil on their album The Real Thing.
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- Nakay702
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>The landing has been commemorated in song on several occasions. Two of the best-known songs contain historical contradictions that confuse the landings at Suvla and Anzac. ⇒この上陸劇を記念する歌が、事あるごとに歌われている。最も有名な2曲には、スブラとアンザックの上陸を混同した歴史的な矛盾が含まれている。 >A song "Suvla Bay," which is believed to have been written during World War I but first copyrighted and published in 1944, has been recorded by many artists. It tells the story of an Australian girl who receives the news that her sweetheart or husband has been killed at Suvla. However, in a recurring line the song implies that he was killed in April, four months before the Suvla landing. He might have been killed at some point after the April landing at Anzac, but not at Suvla; there was no one there who had "played their part" in April. ⇒第一次世界大戦中に書かれたと考えられる歌で、1944年に最初に著作権が付与されて発行された曲「スブラ湾」は、多くのアーティストによって録音されている。それは、恋人(または夫)がスブラで殺されたというニュースを受け取ったオーストラリアの少女の話を物語っている。しかし、歌の流れでは、彼はスブラ上陸4か月前の4月に殺されたことが暗示されている。彼は、4月にアンザックに上陸した後のある時点で殺された可能性はあるが、スブラで殺された可能性はない。そこでは、4月に「自分の(戦闘)役割に就いた」人はいなかったのである。 >Suvla Bay is ostensibly the setting for the song And the Band Played Waltzing Matilda, written by Eric Bogle in 1971, although Bogle admits to having changed the location from Anzac Cove to Suvla, for several reasons, one of them being that he found many Australians mistakenly believed that the ANZAC landing had taken place at Suvla. The song has been recorded by numerous artists, including the Clancy Brothers, Joan Baez and the Pogues. ⇒スブラ湾は、1971年にエリック・ボグルによって書かれた「And the Band Played Waltzing Matilda(そして楽隊はワルツのマチルダを演奏した」という曲の、見せかけの設定である。ボグルはいくつかの理由で場所をアンザック小湾からスブラに変更したことを認めている。その理由の一つは、多くのオーストラリア人がアンザック上陸はスブラで行われたと誤信していることを彼が知ったからである。この曲は、クランシー・ブラザーズ、ジョーン・バエズ、ポーグスなど、数多くのアーティストによって録音されている。 >In the climax of the Peter Weir movie Gallipoli, the third and final wave of Australian troops at the Battle of the Nek is ordered into a suicidal advance, supposedly to divert Ottoman and German attention from the landing at Suvla, despite rumours that the landing has been successfully completed. The fictional character General Gardiner orders the advance reconsidered, with the line "at Suvla ... the [English] officers are sitting on the beach drinking cups of tea". In fact, the Australian attack at the Nek was a diversion for the New Zealanders' attack on Sari Bair, not the British landing at Suvla. ⇒ピーター・ウィアーの映画「ガリポリ」のクライマックスでは、「ネクの戦い」でオーストラリア軍の最終第3波が、自殺的な突撃的進軍を命じられた。それはおそらく、上陸が正常に完了したとの噂にもかかわらず、スブラへの上陸からオスマン軍とドイツ軍の注意をそらすためであった。架空の人物、ガーディナー将軍は「スブラでは…〔英国軍の〕将校がお茶を飲みながらビーチに座っている」という言葉を用いて、進軍を再考するように命じる(シナリオである)。実際、オーストラリア軍によるネクへの攻撃は、サリベアに対するニュージーランド軍の攻撃の陽動策であり、英国軍がスブラに上陸したわけではない。 >The Dreadnoughts' album track "The Bay of Suvla" commemorates the battle, although where the men described in the song originate from is not absolutely clear. Suvla is briefly mentioned in the Irish song "The Foggy Dew", which commemorates the 1916 Easter Rising, and in the song "The Last of the Diggers"*, by the Australian rock band Midnight Oil on their album The Real Thing. ⇒ドレッドノートのアルバムトラック版「The Bay of Suvla(スブラの入江)」は戦いを記念しているが、歌に登場する兵士の出身地は明確ではない。 スブラは、1916年の「復活祭蜂起」を記念するアイルランドの歌「The Foggy Dew(霧の露)」と、オーストラリアのロックバンドであるミッドナイト・オイルによるアルバム「The Real Thing(真実)」に入っている歌「The Last of the Diggers(ディガーズの最後)」*で簡単に述べられている。 *The Last of the Diggers:「ディガーズの最後」。Diggersはオーストラリア・ニュージーランド兵の愛称。