In the year 1909, I feel as if I am in a moving-picture theatre, watching a silent picture with old-fashioned clothes and fast-paced action.
On a Sunday afternoon, June 12th, 1909, my father walks down the quiet streets of Brooklyn to visit my mother, dressed sharply and full of anticipation.
Immersed in the darkness of the theatre, I become anonymous and lose myself in the movie, experiencing the powerful emotions orchestrated by the organist.
和訳お願いします。
I think it is the year 1909. I feel as if I were in a moving-picture theatre, the long arm of light crossing the darkness and spinning, my eyes fixed upon the screen. It is a silent plcture, as if an old Biograph one, in which the actors are dressed in ridiculously old-fashioned clothes, and one flash succeeds another with sudden jumps, and the actors, too, seem to jump about, walking too fast. The shots are full of rays and dots, as if it had been raining when the picture was photographed. The light is bad.
It is Sunday afternoon, June 12th, 1909, and my father is walking down the quiet streets of Brooklyn on his way to visit my mother. His clothes are newly pressed, and his tie is too tight in his high collar. He jingles the coins in his pocket, thinking of the witty things he will say. I feel as if I had by now relaxed entirely in the soft darkness of the theatre; the organist peals out the obvious approximate emotions on which the audience rocks unknowingly. I am anonymous. I have forgotten myself: it is always so when one goes to a movie; it is, as they say, a drug.
お礼
ありがとうございます。