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英文の和訳で困っています 和訳を助けてください
英文の和訳で困っています 和訳を教えていただきたいです よろしくお願いします！！ When not in use for drills and other displays, it would have been open to the general public as a pleasant intramural open space, analogous to the monumental porticus, such as the Porticus of Octavia and the Porticus of Livia, which the emperor created(in continuance of a Republican tradition) in the capital. It was provided with a central swimming pool and planted with plane trees whose estimated age at the time of the eruption is the chief argument for an Augustan date. The importance of the campus is attested by the fact that the space was obtained by suppressing six blocks of the pre-existing street-grid.
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演習やその他の展示などに使用しないときには、首都において時の皇帝が作った（共和党の伝統の継承として）オッタビーアのポルティコ（※1）やリヴィアのポルティコといった記念碑的柱廊同様、楽しむ為の壁内オープンスペースとして、一般大衆に解放されていたであろう。 中央にはスイミングプールを配しプラタナスの木が植えられており、その木の火山噴火時の推定樹齢が、アウグストゥス時代の始まりと終わりに関する根本的根拠である。 広場の重要性は、既存の通りの碁盤の目の6区画をつぶすことによりスペースを確保したという事実により証明されている ※1：アウグストゥスが妹オクタヴィアマイナーに捧げた列柱のある建物。古代ローマの遺跡
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- 英文の和訳で困っています 和訳を助けてください
英文の和訳で困っています 和訳を教えていただきたいです よろしくお願いします！！ This was a campus (training-ground) for the military corps of upper-class youths, which Augustus promoted as part of a policy of producing model citizens and supporters of his regime. When not in use for drills and other displays, it would have been open to the general public as a pleasant intramural open space, analogous to the monumental porticus, such as the Porticus of Octavia and the Porticus of Livia, which the emperor created(in continuance of a Republican tradition) in the capital. It was provided with a central swimming pool and planted with plane trees whose estimated age at the time of the eruption is the chief argument for an Augustan date. The importance of the campus is attested by the fact that the space was obtained by suppressing six blocks of the pre-existing street-grid. Recent excavations have yielded traces of early properties which must have been bought or expropriated. One reason for placing the campus in the eastern part of the city may have been that this quarter was less densely populated than others, so that the cost of the development and the degree of disruption that it caused were less than they would have been elsewhere.
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- 英文の長文和訳で困っています 和訳を助けてください
英文の和訳で困っています。 和訳を教えていただきたいです。 よろしくお願いします！！ The entrance steps of the Capitolium were rebuilt with flanking bastions which may have supported statues of the Dioscuri, sons of Juiper, and the altar was reset on a raised platform in the centre of the temple steps, where it is shown blazing at the time of the earthquake in a relief on the lararium of L.Caecilius Iucundus. But the cult title Victrix –the Victorious–with which Sulla worshipped the goddess was not used at Pompeii, presumably because it evoked Sulla’s bloody victory over the Samnites in the wars of the late 80s. In the precinct of Apollo the gaps between the piers that connected the sanctuary with the forum were filled in and the area was reshaped as the colonnaded courtyard visible today. The three main temples–the Capitolium, the Temple of Apollo and the Temple of Venus, were all embellished in the Augustan period or shortly afterwards. The cult became very popular, to judge by the number of graffiti that allude to it, and Pompeii became well known as the city of Venus.
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- 英文の長文和訳で困っています 和訳を助けてください
英文の和訳で困っています。 和訳を教えていただきたいです。 よろしくお願いします！！ A painting of the marriage of Hercules and Hebe found in the oecus of the House of the Wedding of Hercules gives a vivid impression of a festival at the Temple of Venus: the doors of the temple have been opened to reveal the cult statue standing inside, bedecked with jewellery, flanked by smaller statues of Priapus and Cupid. It was destroyed together with the temple in the earthquake of AD 62, and rebuilding had not progressed far by the time of the eruption. By contrast, the Temple of Isis had a much smaller precinct intended to serve a more intimate community of initiates, and it was hidden from public view by a high wall flanking the south side of the via del Tempio di Iside. The porticoes surrounding these, temples were large enough to accommodate many participants in the cult festivals.
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- 英文の長文和訳で困っています 和訳を助けてください
英文の和訳で困っています。 和訳を教えていただきたいです。 よろしくお願いします！！ A painting of the marriage of Hercules and Hebe found in the oecus of the House of the Wedding of Hercules gives a vivid impression of a festival at the Temple of Venus: the doors of the temple have been opened to reveal the cult statue standing inside, bedecked with jewellery, flanked by smaller statues of Priapus and Cupid. It was destroyed together with the temple in the earthquake of AD 62, and rebuilding had not progressed far by the time of the eruption. By contrast, the Temple of Isis had a much smaller precinct intended to serve a more intimate community of initiates, and it was hidden from public view by a high wall flanking the south side of the via del Tempio di Iside. The porticoes surrounding these, temples were large enough to accommodate many participants in the cult festivals.
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- 英文の和訳で困っています 和訳を助けてください
英文の和訳で困っています 和訳を教えていただきたいです よろしくお願いします！！ Its southern neighbor, usually called the Sanctuary of the Lares Publici but identified by Zanker, plausibly, as a sanctuary for the imperial cult, may have been added even later, perhaps not until after the earthquake of AD 62. Other buildings around it, such as the vegetable market to the north of the Sanctuary of Apollo, and the three administrative buildings on the south side, could also have taken their final form at this time. The monumental development of the forum may, therefore, have continued through the early imperial period. A post-Augustan date is supported by details of the building’s Third-Style wall paintings, known from nineteenth-century drawings. The whole picture is one of individual initiative, in which leading magistrates vied with each other to make an impact upon the urban landscape in this most prestigious area of the city.
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- 英文の長文和訳で困っています 和訳を助けてください
英文の和訳で困っています。 和訳を教えていただきたいです。 よろしくお願いします！！ There was also a public priestess, drawn from one or other of the leading families of the city, who must have performed sacrifices at the Temple of Venus, and may have had a role in other cults as well. Probably at the same time the precinct was separated from the forum by piers of increasing thickness which masked the difference in alignment between forum and temple. Their decree allowed exemptions under special circumstances for small groups of bacchants who worshipped at long established sanctuaries, and the cult at S. Abbondio must have been registered as one of the these, for the sanctuary remained in use, though it ceased to be supported by the city government. In the Sanctuary of Apollo the magistrates replaced the old altar with a new one, in accordance with a decree of the decurions, as they recorded in an inscription.
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- 英文の和訳で困っています 和訳を助けてください
英文の和訳で困っています 和訳を教えていただきたいです よろしくお願いします！！ More plausible in Paul Zanker’s suggestion that the building, whose auditorium would have held between 1,500 and 2,000 people, may have served as an assembly chamber for meetings of the colonists. Its architectural form tallies well enough with that of assembly-halls or council-chambers in certain Hellenistic cities in the Aegen area, notably Priene and Miletus in Asia Minor. The fact that it was situated next to the large theatre does not imply that it, too, was intended for public entertainments. The position of both buildings was dictated by the convenience of a hill-slope in which the auditoria could be hollowed.
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- 英文の和訳で困っています 和訳を助けてください
英文の和訳で困っています 和訳を教えていただきたいです よろしくお願いします！！ Elsewhere in the city M. Holconius Rufus appears again, this time with his brother Holconius Celer, another leading figure in the imperial cult and the local administration, carrying out major alterations to the large theatre: they built a crypta (probably an annular corridor which supported an extra tier of seating at the back of the auditorium), tribunalia (the boxes constructed over the side-passages, or parodoi, which led to the area in front of the stage), and the theatrum, (presumably the seating in general). Apparently the Holconii not only enlarged and refurbished the auditorium but also, by adding tribunalia, completed the conversion of the theatre from its old Hellenistic form, in which the auditorium was separate from the stage-building, to something approaching the standard Roman type in which the two elements were unified in a single structure. Investing in civic theatres was a widespread cultural phenomenon of the reign of Augustus, for which the emperor himself set a precedent by his dedication of the monumental Theatre of Marcellus in Rome. A further major building of the Augustan period cannot, for lack of evidence, be connected with any individual benefactors but fits the same pattern of conformance to government ideology: the so-called Large Palaestra, situated next to the amphitheatre.
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- 英文の和訳で困っています
英文の和訳で困っています 和訳を教えてください よろしくお願いします！！ The FDJ was embedded in industrial plants, places of education and residential quarters, the aim being political and ideological coordination along with the structuring of vocational training and leisure activities. The object was to reach as many young people as possible and get them involved in the FDJ. Linked to this were also the ‘Young Pioneers’, or the ‘Ernst Thalmann’ Pioneer Organization, named after the leading Communist of the Weimar Period who was persecuted during the Nazi Period, arrested and murdered in Buchenwald concentration camp. Its alignment with the KPD and later with the SED was established in the 1950s. After that, it was to promote Marxism-Leninism, carry out the SED decisions and participate in pre-military training. The FDJ was to number more than two million members.
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- 英文の和訳で困っています 和訳を助けてください
英文の和訳で困っています 和訳を教えていただきたいです よろしくお願いします！！ As in all Greek and Roman cities, the public building works of Pompeii were supervised, and in many cases funded, by wealthy individuals who advertised their generosity in dedicatory inscriptions. The survival of such inscriptions in at least two cases links new buildings with the colonists. The first was the ‘’covered theatre’’, the dedication of which names two leading colonists, C. Quinctius Valgus and M. Porcius, as founders. Built immediately to the east of the pre-existing large theatre, this is often called an ‘’odeion’’ and interpreted, like the Greek buildings of that name, as a concert-hall for musical performances and recitations; but it is highly unlikely that Roman ex-soldiers would have been much interested in promoting Greek culture in this way.
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