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this was the route of the famed arlberg orient express which ran from greece through Belgrade and points north from the 1930s until the 1960s. of course, he was not piloting a grinstening Pacific 231 steam locomotive towing elegant mahogany and brass dining cars,suites sleepers, where passengers floated upon vapours of luxury and anticipation .
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Cela a été le parcours de la célèbre expression Arlberg Orient qui a couru de la Grèce par Belgrade et les points au nord des années 1930 jusqu'aux années 1960. Bien entendu, il n'était pas piloter un grinstening Pacific 231 locomotives à vapeur de remorquage en acajou élégant et voitures-restaurants en laiton, des suites traverses, où les passagers flottait sur les vapeurs de luxe et de l'anticipation.
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His hand on the dead-man throttle , the driver of the serbian rail diesel felt the thrill he always did on this particular stretch of railway, heading north from belgrade and approaching novi sad.
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The widely held view of Constantine I as a "German sympathizer" though essentially accurate owes something to Allied and Venizelist war-time anger directed against the King. Constantine did rebuff Kaiser Wilhelm who in 1914 pressed him to bring Greece into the war on the side of Austria and Germany. Constantine then offended the British and French by blocking popular efforts by Prime Minister Venizelos to bring Greece into the war on the side of the Allies. Constantine's insistence on neutrality, however, was based more on his judgement that it was the best policy for Greece, rather than venal self-interest or his German dynastic connections. Admiral Mark Kerr, who was Commander-in-Chief of the Royal Hellenic Navy in the early part of World War I and later Commander-in-Chief of the British Adriatic Squadron supported the Allied cause, but was sympathetic to the King, personally. He wrote in 1920: "The persecution of King Constantine by the press of the Allied countries, with some few good exceptions, has been one of the most tragic affairs since the Dreyfus case." [Abbott, G.F. (1922) 'Greece and the Allies 1914–1922'] Although Venizelos, with Allied support, forced Constantine from the Greek throne in 1917 he remained popular with parts of the Greek people, as shown by the vote for his return in the December 1920 plebiscite.In the aftermath of the victorious Balkan Wars, Greece was in a state of euphoria. Her territory and population had doubled with the massive liberation of Greeks from Turkish rule and, under the dual leadership of Constantine and Venizelos, her future seemed bright. This state of affairs was not to last, however. When World War I broke out, Constantine was faced with the difficulty of determining where Greece's support lay. His first concern as King was for the welfare and security of Greece. He rejected the early appeal from Kaiser Wilhelm that Greece should march on the side of Germany and stated that Greece would remain neutral.
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During GN'R's recent European tour, the group began performing "Slither" by VELVET REVOLVER, Slash and McKagan's mid-'00s supergroup that featured late vocalist Scott Weiland (STONE TEMPLE PILOTS). "If you got a hold of an old set list from 2016," Slash explained, "you saw there was a set list and then there was an alternate set, which was just songs that we could do audibles with [and] move shit around. It was on there, and the band actually jammed it way early on just to get the groove together and all that. But it just never came up. Then, when we went into rehearsals for the European tour, Axl [Rose, vocals] came in [and went], 'Let's try 'Slither'.' It was never even something that we've talked about, but hearing Axl do it, considering he's channeling a little bit of Scott in that, and then Duff and I sort of having been with that song since its inception, the three of us doing it together was very cool. I couldn't put a verbal description of that feeling, but that was cool." http://www.blabbermouth.net/news/slash-talks-playing-chinese-democracy-song-better-velvet-revolvers-slither-with-guns-n-roses/
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Slash Reveals How Axl Rose Is ‘Channeling’ Scott Weiland “If you got a hold of an old set list from 2016, you saw there was a set list and then there was an alternate set, which was just songs that we could do audibles with [and] move shit around. It was on there, and the band actually jammed it way early on just to get the groove together and all that. But it just never came up. Then, when we went into rehearsals for the European tour, Axl [Rose, vocals] came in [and went], ‘Let’s try ‘Slither’.’ It was never even something that we’ve talked about, but hearing Axl do it, considering he’s channeling a little bit of Scott in that, and then Duff and I sort of having been with that song since its inception, the three of us doing it together was very cool. I couldn’t put a verbal description of that feeling, but that was cool.”
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Guitarist Corey Hickok and keyboardist Britt Willits initially remained from Soi-Distant, and the lineup was rounded out by ¾ of the STP lineup we have come to know: Scott Weiland, Robert DeLeo, and drummer Eric Kretz. There was also a drummer named David Allin, a high school friend of Scott's, who played drums before Kretz. The details surrounding his time in the band are vague. Scott and Robert had seen Kretz performing with another band, and were impressed and immediately asked him to join their band. Kretz was from San Jose, California and attended Willow Glen High School. DeLeo eventually decided that they didn't need a keyboardist, and they became a four piece. The band were based in Hollywood but played in Los Angeles and Orange County. Swing had more of a funk and hard edged alternative rock sound than Soi-Distant, one of their early songs was called “Drop the Funk.” Dean, Robert's older brother, moved to San Diego in the mid 80's and became a successful businessman. He had given up the guitar, but helped out the early version of STP get some gigs down in San Diego.
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"We're right in the midst of getting a five-song EP together. We have 'Out Of Time', which is currently out there as a single and we have another song called 'Tomorrow', which was recorded when we did 'Out Of Time'. We're looking to release that EP in October and that's really exciting because we're moving forward and we're creating new music that we're all really proud of." Asked if there was a backlash from the STP fan base because of Chester's involvement, Robert said: "I think there was going to be. How many have people have terminated their singer and wanted to terminate their singer? [laughs]
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Weiland recently embarked on a new run of solo tour dates beginning on August 2 in Los Angeles. As with his other shows earlier in the year, Weiland is playing material from STP's first two albums, "Core" and "Purple", as well as a smattering of covers, solo tunes and other STP tracks. Weiland's use of STP songs in his solo shows was reportedly one of the reasons why the band sacked and then sued him. The band members claim that this, along with his erratic behavior and substance abuse issues, damaged their career.
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The complaint I had, (which was my fault) was the sound. It sounded like Scott was a chipmunk for the first part of the show. I looked up, and I saw 2 huge speakers right above my head. When I moved away from them, the sound was much better (I know, I'm an idiot haha). The setlist was rather short. I believe they did 14 songs in total. They left out Big Empty, Wicked Garden, Interstate Love Song, and Sex Type Thing. The renditions of Dead and Bloated and Where the River Goes/Mountain Song made up for that, though. Defintely the highlights of the night. They mixed together Roadhouse blues and LA Woman for a 10-15 minute song, which was pretty cool.
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Chester also commented on what it was like playing with STP for the first time: Bennington: When we got together, right away it was three songs from Dean, three songs from Robert, three songs from me — overnight! All this adrenaline was injected right into our hearts. If we got together and it was weird, it wouldn't have happened. But we got together and it was amazing. The new music needed to feel like it was us. It was still STP but it's me and I don't want to be doing a caricature of Scott. Live, I'm singing Scott's melodies and Scott's songs so I want to stay honest to that and present it in a way that people feel they're getting an STP show. … It's been an interesting and very rewarding experience so far.
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ASHLEY HAMILTON TALKS FRIENDSHIP WITH SCOTT WEILAND, THE WONDERGIRLS & IRON MAN 3 Once upon a time, a record label would mean a band’s avenue to success, or prove to be its undoing. The Wondergirls, an ambitious project spearheaded by entertainer Ashley Hamilton, fell victim to the furtive tactics of the industry. Nowadays, with the advent of the internet, the concept of needing a label is obsolete. With that in mind, Hamilton and his partners in the group are planning a comeback. In concept, the band, the brainchild of actor/songwriter Ashley Hamilton, was a late 90′s/early 2000′s rock and roll dream team: the roster was filled by some of the most popular artists of the time, including Scott Weiland of Stone Temple Pilots, Jay Gordon and Ryan Shuck of Orgy, Troy Van Leeuwen of A Perfect Circle, and Ian Astbury of The Cult. However, after recording a full length album, a string of mishaps led to the destruction of the band. Besides an interview with the Stone Temple Pilots fansite Below Empty last year that first unearthed some details of the group; not much was known about the ill fated band. This was before the band’s sudden and inexplicable return for the Iron Man 3 soundtrack, and I had the chance to talk with Ashley Hamilton himself and shed some more light on both incarnations of the project.
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