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Postmodernists also tend to concentrate more on the role of the performer and listener in determining the meaning of a musical work.
They analyse what is specific to individual performances, including Roland Barthes' 'grain of the voice', rather than the structure of written scores. They seek to understand musical expression independent from the structure, and some, music that is not written down. For postmodern scholars, the musical experience is essentially cooperative, collaborative and contingent. Listeners bring or attach meanings to music regardless of composers' intentions , often as part of a dialectics of desire that helps shape how they define what is outside themselves.
The listening process is an activity that in turn shapes the personal, social and cultural identity of the listener.
experience of music and to understand what underlies the meanings people ascribe to it has motivated as interest in applying psychoanalytic methodologies to the study of music.
補足
そのまんまでＯｋだったんですね。 悩んで損しました（（笑 回答ありがとうございます